Blogger Issues Semi-Resolved

This is just a test. Ugh.

The photo above is of my listening room today, January 27, 2014. I've just put the tiny My Audio Design 1920S monitors in the big system, and they're a great match with the new Unison Research Triode 25 integrated amplifier. It's the first time I've been able to post a pic on my blog in 2014.

Evidently the only way to rejoin the world of the blogging is to start using Mozilla Firefox as a browser from now on. Now I have nothing against Firefox and I've had it installed on my computer for years, but I've been using Internet Exploder forever and haven't felt compelled to make the switch on a permanent basis. I'm not one of those computer people who are constantly looking for bigger and better software programs. I just want stuff to work and I want to use it indefinitely when I like it--or get used to it. I'm not afraid of change; I just need a good reason to change.

Everyone's been telling me to use Mozilla forever, and now I have to. I can't post photos on this blog without switching to Mozilla. It's pissed me off because I haven't been able to blog for most of this month, and I have things to say and records to review. But I will catch up in the next few days.

Ready for CES 2013!

Today was set-up day for 2013, and like last year we were finished before noon in the Unison Research/Opera Loudspeakers/Cardas Audio/CCI room. In our main system we have the Unison Research Simply Italy integrated amplifier, Unison Research Unico Upower booster amplifier, Unico CDE CD player, Opera Mezza and Opera Grand Mezza loudspeakers. This is the US debut of the Upower, which can quadruple the output power of low-powered tube amplification without significantly changing the sonic signature of the original amp. So the 12wpc Simply Italy now becomes a 48wpc powerhouse that can work with most speakers.

CES starts tomorrow at 10am at the Venetian in Las Vegas, and I'll be taking more photographs and posting them later. The Unison/Opera room is 29-117, and the My Audio Design (MAD) room (which is sharing with Viola Audio and ZenSATI cables) is located on the next floor in room 30-228. Please stop by and say hellow to me, Colleen Cardas, Bartolomeo Nasta of Unison/Opera and Timothy Jung of MAD.

My Audio Design 1920S Loudspeakers

Does this speaker look familiar? Well, it should look like the My Audio Design 1920 loudspeaker I reviewed earlier this year, but in a gloss white finish. Same exact size, same drivers, same everything. Except this isn't the MAD 1920, it's the MAD 1920S, and it's slightly different than its little brother. As the MAD website says: "The 1920S is the signature version of our renowned 'World Standard' 1920 monitor. We have reconstructed the cabinet with a more advanced version of our proprietary DRC (Damping Resonance Control) and SWC technology. You can expect a sound that is smooth, open, natural, clear, detailed and unexaggerated. It all adds up to a package that is involving and coherent — like the original 1920 — but with more accuracy, clarity and even better bass."

In high-end audio, a "signature" version usually implies better parts, or a few tweaks here and there that lead to subtle yet noticeable improvements in the sound. But the difference between the 1920 and the 1920S is far from subtle. I don't want to take anything away from the 1920--it is a superb mini-monitor and an outstanding value--but I absolutely love the 1920S. It sounds so much bigger than the 1920 that it's hard to believe it only goes about 3 Hz deeper (55 Hz vs. 58 Hz). The price for this improvement is substantial--the 1920 is sold direct in the US from the MAD website for about $2575 (the price will vary slightly with the exchange rates), while the 1920S will retail in the US for $3450/pair. But it's worth it.

Of the three MAD speakers I've played with this week--the $48,000 Duke Royal Limiteds, the $11,000 Grand MS Maestro Supreme and now the 1920S--the latter pair is by far the most surprising. It's hard to listen to a $48K pair of loudspeakers without having extraordinarily high expectations. But these tiny little speakers shocked me at first listen. They sounded great right out of the box. They retain the smoothness and the refinement of all the other MAD speakers, but they excel at disappearing into the room and creating the type of soundstage that seems to expand well beyond the boundaries of my listening room. With an efficiency of 90dB, they also seemed to be the perfect match for the 12wpc Unison Research Simply Italy integrated amplifier. (Today I also plugged in the Unison Upower, a booster amp that quadruples the power to 48wpc.)

This is the last MAD speaker I get to play with before we head off to CES next week. I've had a lot of fun playing with all these goodies, and it will be tough to pack them up and send them on their way.