Thursday, December 14, 2017

Veronneau's Love & Surrender

Not all jazz/female vocal albums are created equally, although it does seem that most of them are aiming squarely at sultry, romantic and nostalgic. Some model themselves after Diana Krall and her album theme du jour, and others may go for the more purist approach, say Julie London (my preference). I hate to break it down to those two extremes, but whenever I hear a female vocal album these days it seems like they're targeting one or the other. Sure there are exceptions--Lyn Stanley's The Moonlight Sessions Vol. 2 is the obvious example of someone trying to do something truly new with the Great American Songbook. But over the last year, these standouts are becoming quite rare.

If you want to get my attention, in other words, you have to do something different. It's one thing to have a wonderful singing voice, but it's quite another to carve your own niche in a well-traveled genre. You don't have to be crazy or unorthodox, just distinctive. Just a few minutes into Veronneau's new CD, Love & Surrender, this jazz trio had my attention. I don't even want to call them a jazz trio--that pigeonholes them. This trio, which consists of singer Lynn Veronneau, and guitarists Ken Avis and David Rosenblatt, is different because they're "doing their own thing," meaning that they're covering a lot of interesting tunes, throwing in some originals, and really finding unique strengths in each melody.

What's most striking about Veronneau the band, obviously, is Veronneau the singer. Lynn Veronneau has a lovely, rich and expressive voice that, for lack of a better word, is genuine. She's putting herself into these songs without gimmicks, and without affectation. It sounds like a cliche to talk about "singing from the heart," but how many singers these days are hyper-aware of the uniqueness of their voice and how they have to sell themselves to audiences, record labels and the like? Veronneau (the singer) sings as if she has no idea anyone else is listening. It's almost like we "catch" her singing and she gets all embarrassed and apologizes and explains that she didn't know anyone else was around. She's singing because she loves to sing, because it's her natural state of being.

Avis (Veronneau's husband, by the way) and Rosenblatt are fine company for her lovely voice--the dual guitar approach is delicate, beautiful and matches the singer's sense of spontaneity. There are also plenty of other guest musicians who provide a fuller and more satisfying feel to songs such as Serge Gainsbourg's "La Javanaise" and Jim Webb's "Moons a Harsh Mistress." Dave Kline, whose Shifting Borders I just reviewed, creates a strong presence through multiple tracks on his violin.

As different as Love & Surrender is, it's not revolutionary. It's sweet and relaxing--it's more Carole King and Joni Mitchell than Krall or London or anyone else out there. It's slight and sunny, but in a completely charming and unique way.

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